![]() ![]() Pascal Gallois, The Techniques of Bassoon Playing (Kassel: Bärenreiter, 2009)įriedrich Gauwerky, ‘Befehlsempfänger? Mitschöpfer! John Cages Vielschichtiges Verhältnis zum Interpreten’, Neue Zeitschrift für Musik, vol. Richard Fleming and William Duckworth (eds.), John Cage at Seventy-Five (London: Associated University Press, 1989) _, John Cage’s Theatre Pieces: Notations and performances (Amsterdam: Harwood, 1996) ![]() William Fetterman, ‘Merce Cunningham and John Cage: Choreographic Cross-currents’, Contemporary Music Review, vol. Gabriel Solis and Bruno Nettl (Champaign, IL: University of Illinois Press, 2009), 38–51 Sabine Feisst, ‘John Cage and Improvisation: An Unresolved Relationship’, Musical Improvisation: Art, Education, and Society, eds. Jonni Falk, ‘Mel Broiles and his Magic Trumpet’, Journal of the International Trumpet Guild, vol. Tom Everett, ‘An Interview with Frank Rehak’, International Trombone Association Journal, vol. Robert Dunn (ed.), John Cage (New York, NY: Edition Peters, 1962) Richard Fleming and William Duckworth (London: Associated University Press, 1989), 15–33 William Duckworth, ‘Anything I Say Will Be Misunderstood: An Interview with John Cage’, John Cage at Seventy-Five, eds. Stephen Drury, liner notes, John Cage: The Piano Concertos (Mode, m) Benjamin Piekut (Ann Arbor, MI: University of Michigan Press, 2014), 39–62 Ryan Dohoney, ‘John Cage, Julius Eastman, and the Homosexual Ego’, Tomorrow is the Question: New Directions in Experimental Music Studies, ed. Peter Dickinson (ed.), CageTalk: Dialogues with and about John Cage (New York, NY: University of Rochester Press, 2006) Bernstein (Berkeley, CA: University of California Press, 2008), 252–64 ![]() Welsh’, The San Francisco Tape Music Center: 1960s Counterculture and the Avant-garde, ed. _, ‘Working with David Tudor and the Merce Cunningham Dance Company’, Musicworks, vol. Stuart Dempster, The Modern Trombone: A Definition of its Idioms (Berkeley, CA: University of California Press, 1979) John Cage and Joan Retallack, MUSICAGE (Hanover, NH: Wesleyan University Press, 1996) John Cage and Daniel Charles, For the Birds (London: Marion Boyars, 1981) John Cage et al., liner notes, The 25-Year Retrospective Concert of the Music of John Cage (Wergo, WER 6247-2, 1994 ) (also in John Cage and Richard Kostelanetz (eds.), John Cage: An Anthology (New York, NY: Da Capo, 1991), 127–131) John Cage, Silence (London: Calder and Boyars, 1968) George Avakian, ‘About the Concert’, liner notes, The 25-Year Retrospective Concert of the Music of John Cage (Wergo, WER 6247-2, 1994 )ĭavid Bernstein and Christopher Hatch (eds.), Writings Through John Cage’s Music, Poetry, + Art (Chicago, IL: University of Chicago Press, 2001)Ĭarolyn Brown, Chance and Circumstance (New York, NY: Knopf, 2007) ![]()
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